Book Reviews

The American Cinema Book Cover
The American Cinema
A Canticle for Leibowitz Book Cover
A Canticle for Leibowitz
Blood Meridian Book Cover
Blood Meridian
The Unseen Realm Book Cover
The Unseen Realm

Ordered alphabetically by author’s last name, then by order of release.

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A

Athanasius of Alexandria
  On the Incarnation (318)

B

Charles Bukowski
  Post Office (1971)

C

Orson Scott Card
  Treason (1979)
John Christensen (Hieromonk Damascene)
  Christ the Eternal Tao (1999)
Cody Clarke
  Brooklyn Zombie (2017)
  Kill the Lion (2020)
Paulo Coelho
  The Alchemist (1988)

D

Andy M. Davidson
  When Sunday Smiled (2019)
Ted Dekker
  When Heaven Weeps (2001)
Philip K. Dick
  Time Out of Joint (1959)
  The Three Stigmata of Palmer Eldritch (1965)
  The Zap Gun (1967)
  Counter-Clock World (1967)
  Flow My Tears, the Policeman Said (1974)

E

F

William Faulkner
  The Sound and The Fury (1929)
  As I Lay Dying (1930)
  Light in August (1932)
  Go Down, Moses (1942)
  The Portable Faulkner (1946)
Ian Fleming
  Casino Royale (1953)
  Live and Let Die (1954)
  Moonraker (1955)
  Diamonds Are Forever (1956)
  From Russia with Love (1957)
  Dr. No (1958)
  Goldfinger (1959)
  For Your Eyes Only (1960)
  Thunderball (1961)
  The Spy Who Loved Me (1962)
  On Her Majesty’s Secret Service (1963)
  You Only Live Twice (1964)
  The Man with the Golden Gun (1965)
Milton Friedman
  Capitalism and Freedom (1962)

G

Norman Geisler & William Nix
  From God to Us (1974)

H

Ron Hansen
  Desperadoes (1979)
Robert A. Heinlein
  The Puppet Masters (1951)
  Double Star (1956)
  Citizen of the Galaxy (1957)
  Have Space Suit—Will Travel (1958)
  The Moon is a Harsh Mistress (1966)
Michael Heiser
  The Unseen Realm (2015)
Brian Herbert and Kevin J. Anderson
  Hunters of Dune (2006)
  Sandworms of Dune (2007)
Frank Herbert
  Dune (1965)
  Dune Messiah (1969)
  Whipping Star (1970)
  Children of Dune (1976)
  God Emperor of Dune (1981)
  Heretics of Dune (1984)
  Chapterhouse: Dune (1985)
Hermann Hesse
  Demian (1919)
  Siddhartha (1922)
George V. Higgins
  The Friends of Eddie Coyle (1970)
Charles E. Hummel
  The Galileo Connection (1986)

I

J

Robert Jordan
  The Eye of the World (1990)
  The Great Hunt (1990)
  The Dragon Reborn (1991)
  The Shadow Rising (1992)
  The Fires of Heaven (1993)
  Lord of Chaos (1994)
  A Crown of Swords (1996)
  The Path of Daggers (1998)
  Winter’s Heart (2000)
  Crossroads of Twilight (2003)
  New Spring (2004)
  Knife of Dreams (2005)
Robert Jordan and Brandon Sanderson
  The Gathering Storm (2009)
  Towers of Midnight (2010)
  A Memory of Light (2013)

K

Stephen King
  The Stand (1978)
Jon Krakauer
  Into the Wild (1996)
David Kushner
  Masters of Doom (2003)

L

Greg Laurie and Marshall Terrill
  Lennon, Dylan, Alice & Jesus (2022)
Stanislaw Lem
  Solaris (1961)

M

George R. R. Martin
  The Armageddon Rag (1983)
Richard Matheson
  I Am Legend (1954)
Cormac McCarthy
  The Orchard Keeper (1965)
  Blood Meridian (1985)
Frank Miller
  The Dark Knight Returns (1986)
  Hard Boiled (1990-1992)
Walter M. Miller Jr.
  A Canticle for Leibowitz (1959)
Brian C. Muraresku
  The Immortality Key (2020)

N

Vladimir Nabokov
  Lolita (1955)

O

P

Robert Pirsig
  Zen and the Art of Motorcycle Maintenance (1974)
Thomas Pynchon
  V. (1963)
  The Crying of Lot 49 (1965)

Q

R

S

Andrew Sarris
  The American Cinema (1968)
Francis Schaeffer
  The God Who Is There (1968)
  Escape from Reason (1968)
  He Is There and He Is Not Silent (1972)
  Back to Freedom and Dignity (1972)
Catherine Shanahan
  Deep Nutrition (2017)
John Steinbeck
  The Red Pony (1937)

T

A.W. Tozer
  The Knowledge of the Holy (1961)
B. Traven
  The Treasure of the Sierra Madre (1927)

U

V

Kurt Vonnegut
  Slaughterhouse-Five (1969)

W

Gene Wolfe
  The Fifth Head of Cerberus (1972)
N.T. Wright
  Simply Jesus (2011)

X

Y

Z

Ravi Zacharias
  Jesus Among Other Gods (2000)
Roger Zelazny
  Nine Princes in Amber (1970)
  The Guns of Avalon (1972)
  Sign of the Unicorn (1975)
  The Hand of Oberon (1976)
  The Courts of Chaos (1978)
Markus Zusak
  Bridge of Clay (2018)

A Note on Nonfiction Reviews

Though I primarily enjoy reviewing works of fiction, I read nonfiction as well. While I intend to “review” these works, please understand that I am not reviewing the content of these books from a learned perspective. Many times, I am exploring these works as an introduction to a field or subfield. Even if I kind of know my way around the lingo or the main thoughtlines presented in them, I’m no more than a novice.* I have a fairly expansive set of interests: engineering, homesteading, gardening, history, philosophy, theology, fitness, nutrition, hiking and camping, etc. but I’m not an expert in any of them.

The skills required to review nonfiction only marginally overlap with those necessary for analyzing fictional works (whatever the medium), and in many cases only someone who has devoted themselves to that specific field is capable of offering valid critique. Thus, while as of this writing I am choosing to post reviews of nonfiction works on this site, I am doing so in full acknowledgment of my lack of expertise in any of the subjects covered in them.

My opinions are based on my own (often limited) understanding of the subjects and what’s presented within the work. I may be surprised to learn something that seems trivial. I may misunderstand something entirely. I might not know that I am being misled when an author purposefully omits something that they do not wish to address.

My goal here is not to provide thorough critical analyses of these works, but to extract and present what I took away from them or how I found them to be useful; to keep a record of the thoughts I had while reading them. Perhaps, if you enjoy reading my usual fare, my opinions on these other works may help you decide if they are worth your time or not.

Additionally, since I’m often lacking the necessary background to review a work, it usually feels dishonest or misleading to give it a grade, so I will not be giving a letter grade to nonfiction works as I would a film or a novel.

*By nonfiction I am primarily thinking of works with a goal other than entertainment. Many nonfiction books are meant to be read primarily as entertainment. Such books are almost as much of a work of art as one of genuine fiction. They are not the subject of my comments above.